C=H=A=T=C=H=A=T

I neglected to mention how much I enjoyed the Clarice Lispector book as well. Though read it in spurts, and with absorption, then would put it down and forget everything.

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Really curious, though I don't think I ever got a handle on it. But writing towards a present tense, and about a present-- both her present of writing, and our present in reading, reminded me of Lyn Hejinian.

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Although Lispector writes more about the inadequacy of writing to relate the immediacy of thought ('the instant-now'), and the metaphor is always flowing water.

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Just listened to this (kinda cute) analysis of part of My Life, on the way up to my parents' house, deep in the triangle.

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There's this anecdote about Donald Barthelme telling his class “‘We have a wacky mode. What must a wacky mode do?

...Break their hearts.”

A stream of life?

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That makes sense, the prose actually feels launched, volubly moving along. So more than modernist distress with closing the gap of form and content.
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They both have these philosophical modes that are also plain spoken and funny.

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Whereas Hejinian is always playing around with the way language constructs, the metonymy as a means of relating thought rather than the lyric and narrative tendencies of metaphor.

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I like the ending, which I think works similarly to how you describe the American language poetry

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The confluence of longing we'll call it, and something formally determined is something I think about often, and aspire to.

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Or from Lispector:

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"You gave me a ring of glass and then it broke and love ended”.